Edward T. Hall

From Wikipedia, the free encyclopedia
Edward T. Hall
Hall in 1966
Born
Edward Twitchell Hall, Jr.

(1914-05-16)May 16, 1914
Webster Groves, Missouri,
United States
DiedJuly 20, 2009(2009-07-20) (aged 95)
Santa Fe, New Mexico,
United States
NationalityAmerican
CitizenshipUnited States
Alma materColumbia University
Known forProxemics, High-context and low-context cultures, monochronic and polychronic time
Scientific career
FieldsAnthropology
InstitutionsUnited States Army, University of Denver, Bennington College, Harvard Business School, Illinois Institute of Technology, Northwestern University, United States Department of State

Edward Twitchell Hall, Jr. (May 16, 1914 – July 20, 2009) was an American anthropologist and cross-cultural researcher. He is remembered for developing the concept of proxemics and exploring cultural and social cohesion, and describing how people behave and react in different types of culturally defined personal space. Hall was an influential colleague of Marshall McLuhan and Buckminster Fuller.[1]

Biography[edit]

Hall was born in Webster Groves, Missouri and taught at the University of Denver, Colorado, Bennington College in Vermont, Harvard Business School, Illinois Institute of Technology, Northwestern University in Illinois and others. The foundation for his lifelong research on cultural perceptions of space was laid during World War II, when he served in the U.S. Army in Europe and the Philippines.

From 1933 through 1937, Hall lived and worked with the Navajo and the Hopi on Native American reservations in northeastern Arizona, the subject of his autobiographical West of the Thirties. He received his Ph.D. from Columbia University in 1942 and continued with field work and direct experience throughout Europe, the Middle East, and Asia. During the 1950s he worked for the United States State Department, at the Foreign Service Institute (FSI), teaching inter-cultural communications skills to foreign service personnel, developed the concept of "high context culture" and "low context culture", and wrote several popular practical books on dealing with cross-cultural issues. He is considered a founding father of intercultural communication as an academic area of study.[2][3]

Throughout his career, Hall introduced a number of new concepts, including proxemics, monochronic time, polychronic time, and high-context and low-context cultures. In his second book, The Hidden Dimension (1966), he describes the culturally specific temporal and spatial dimensions that surround each of us, such as the physical distances people maintain in different contexts.

In The Silent Language (1959), Hall coined the term "polychronic" to describe the ability to attend to multiple events simultaneously, as opposed to "monochronic" individuals and cultures who tend to handle events sequentially.

In the 1960s, Hall published his theory of proxemics, the study of the human use of space, creating a new field of research investigating the nature of personal and public space, and how it may differ between cultures.[4]

In 1976, he released his third book, Beyond Culture, which is notable for having developed the idea of extension transference; by an extension, he simply means any technological item, from clothes to laptops. He brings to our attention the fact that these 'extensions' only help us perform certain functions, but they as extensions will never quite be able to carry out these functions by themselves (for example, think about computers, airplanes, etc. We can fly with airplanes, but we can't on our own and nor can airplanes fly 'on their own'). His biggest claim is that culture itself is an extension of man. Extensions also exist in their own evolutionary realm, as well. That is, they evolve on their own and do not directly influence human evolution.

The Dance of Life: The Other Dimension of Time (1983) describes different types of time in a provocative cross-cultural exploration of how time varies across cultures. Hall develops a classification system of nine different types of time. Particularly interesting are his ideas about how rhythms and music structure cultural interaction in different cultures.[5]

The 'transference' of 'extension transference' is a term he coined to describe when people regard a symbol to actually be its referent. The clearest example of this would be language; like when people do not realize that words are merely symbolic to their referents. For example, there is nothing inherently watery about the physical object water, at least in terms of the symbolic acoustic properties that are produced when someone utters water. Evidence for this would be the fact that across languages there are thousands of unique words that all refer to water. Culture, as an extension, is also a good example; extension transference of culture happens naturally when people are unaware of the extent to which culture shapes how they perceive time and space, or that culture shapes their perception of them at all. Time and space are the two prominent aspects that Hall in particular focuses on in many of his works.

He died at his home in Santa Fe, New Mexico on July 20, 2009.[6]

Influence[edit]

According to Nina Brown, the work of Hall was so groundbreaking that it created a multitude of other areas for research. One of the most widely sought after topics of anthropology is an idea that was first introduced by Edward Hall: Anthropology of Space. Brown goes on to mention that the Anthropology of Space has essentially opened the door to dozens of new topics.[citation needed] Along with influencing the Anthropology of Space, Hall's research had a substantial influence on the development of intercultural communication as a research topic. Since at least 1990, he has been acknowledged frequently for his role in introducing nonverbal aspects of communication, specifically proxemics, the study of the social uses of space, the investigation of communication between members of different cultures.[3] For example, Robert Shuter, a well-known intercultural communication researcher, commented: "Edward Hall's research reflects the regimen and passion of an anthropologist: a deep regard for culture explored principally by descriptive, qualitative methods... The challenge for intercultural communication... is to develop a research direction and teaching agenda that returns culture to preeminence and reflects the roots of the field as represented in Edward Hall's early research."[7]

What was particularly innovative about Hall's early work is that instead of focusing on a single culture at a time, or cross-cultural comparison, as was typical in 1950s’ anthropology, he responded to the needs of his students at the Foreign Service Institute of the Department of State to help them understand interactions between members of different cultures.[8] Hall points out that the only environment in which classroom dialogue is encountered is simply in the classroom, ergo it served the students little use when actually in the foreign country of interest. At the same time, and in response to the same students, he narrowed his focus from an entire culture, as was then standard within anthropology, to smaller moments of interaction.[8] Colleagues working with him at FSI at the time included Henry Lee Smith, George L. Trager, Charles F. Hockett, and Ray Birdwhistell. Between them, they used descriptive linguistics as a model for not only proxemics but also kinesics and paralanguage.

See also[edit]

Books[edit]

  • The Silent Language (1959)
  • The Hidden Dimension (1966)
  • The Fourth Dimension In Architecture: The Impact of Building on Behavior (1975, co-authored with Mildred Reed Hall)
  • Beyond Culture (1976)
  • The Dance of Life: The Other Dimension of Time (1983)
  • Handbook for Proxemic Research
  • Hidden Differences: Doing Business with the Japanese
  • An Anthropology of Everyday Life: An Autobiography (1992, Doubleday, New York)
  • Understanding Cultural Differences: Germans, French and Americans (1990, Yarmouth, Maine)
  • West of the Thirties. Discoveries Among the Navajo and Hopi (1994, Doubleday, New York etc.)

References[edit]

  1. ^ Rogers, Everett M. (2000). "The Extensions of Men: The Correspondence of Marshall Mc Luhan and Edward T. Hall". Mass Communication and Society. 3: 117–135. doi:10.1207/S15327825MCS0301_06. S2CID 144800437.
  2. ^ Rogers, Everett M.; Hart, William B.; Miike, Yoshitaka (2002). "Edward T. Hall and the History of Intercultural Communication: The United States and Japan" (PDF). Keio Communication Review (24): 3–26.
  3. ^ a b Leeds-Hurwitz 1990, p. 262-281.
  4. ^ Caves, R. W. (2004). Encyclopedia of the City. Routledge. p. 328.
  5. ^ Tony Waters and David Philhour, Cross-National Attunement to Popular Songs across Time and Place: A Sociology of Popular Music in the United States, Germany, Thailand, and TanzaniaSoc. Sci. 2019, 8(11), 305; https://doi.org/10.3390/socsci8110305
  6. ^ Constable, Anne (24 July 2009). "Edward T. Hall, 1914-2009: Anthropologist 'loved to bring N.M. with him'". Santa Fe New Mexican. MediaSpan. Archived from the original on 17 February 2012. Retrieved 29 October 2018.
  7. ^ Shuter, Robert. (2008). The centrality of culture. In Molefi Kete Asante, Yoshitaka Miike, & Jing Yin (Eds.), The global intercultural communication reader (pp. 37-43). New York: Routledge.
  8. ^ a b Leeds-Hurwitz 1990, p. 263.

Bibliography[edit]

External links[edit]